ELMO’s 2024 HR Industry Benchmark Report
ELMO’s 2024 HR Industry Benchmark report is live. The report surveyed HR professionals across Australia and New Zealand to uncover trends, challenges and opportunities for 2024.
It’s a nightmare scenario for anyone in marketing: you receive a box full of lovely printed cards, flyers, invitations or brochures with hundreds or even thousands of copies.
Here at Brand By Name we do our best to ensure printed materials are well-designed, printed brilliantly and delivered on time. But occasionally the worst happens—there’s a mistake.
Then you’re faced with the agonizing decision: to reprint or not to reprint?
There’s the cost involved, and often more importantly, the time delay. If your invitations need to be mailed or your catalogue needs delivering within the week, this can make the decision even more difficult and stressful, not to mention the hideous meeting when you tell the boss the problem.
Sadly, if you, the client, are responsible for the error then you wear the reprinting cost.
We’ve worked with clients who supplied the artwork using the wrong colour specification, changed an overprint on a supplied logo, or even just bungled a phone number. Whilst we graphic designers check everything as much as we can, we often can’t spot those kinds of errors.
Sometimes, it’s a clear mistake by the printer. Any decent printer will be mortified and offer to print at no extra cost. But often with pressing deadlines, reprinting is not viable.
In this case, you have to look closely at the mistake, and weigh up the importance of the job being perfect and late, versus wrong and on time.
– How noticeable is the mistake? Is the information presented still correct?
– How will it affect perception of your business?
– What are the consequences of the job arriving late?
In a recent case, we designed colourful double-sided wrapping paper as a promotional gift. The deadline was tight. The paper arrived and looked fabulous, except for a small mark, the result of a scratch on one of the printing plates. The printer offered to reprint.
The only problem? The printed material wasn’t going to be much use a week late.
The mark was small, and the artwork detailed enough to ensure the paper could still be used. Weighing up the situation, we decided to send the paper to customers, and the printer offered a significant discount. It wasn’t ideal, but it was the best outcome.
If you decide to reprint a job, the printer will always require the original job returned. Obviously, they want to see the mistake for themselves, ensuring you’re not complaining about an error on only a small number of prints, and trying to get double the print run for the original cost.
It is also important that they understand how the mistake occurred and how they can improve their print processes.
Our advice is to develop relationships with printers—when something goes wrong, it’s in their best interests to fix the problem. Happy printing!
ELMO’s 2024 HR Industry Benchmark report is live. The report surveyed HR professionals across Australia and New Zealand to uncover trends, challenges and opportunities for 2024.
Compare the two artworks in this post. You might recognise the artist as Keith Haring. On the left is his Unfinished Painting, created in 1989.
If you want people to open something you’ve mailed them, use this simple trick. It’s our signature move. And it’s so simple.
For the VIP event, we created invitations, menus, wine list, table numbers, place names and illuminated paper lanterns, which decorated the long tables.
Why? You need a timeframe. Let’s look at another example. You spend two hours cleaning outdoor teak chairs. You bought them 30 years ago, second-hand.
The newly-opened Cyril Callister museum in the small Victorian town of Beaufort commemorates the inventor of Vegemite.
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